家：基地、壁癌、貼皮與組合屋
由策展人盧芛、段沐共同策劃的國際交流展「家：基地、壁癌、貼皮與組合屋」在臺東美術館盛大開展。展覽邀請來自臺灣、馬來西亞、捷克、厄瓜多、瑞士和塞爾維亞共九位藝術家，共同建構跨文化脈絡下「家」的敘述和回返，透過多樣化的媒材勾勒出某個片刻下家的型態，同時以流動和多樣性的特徵開啟了具有想像力的對話。
This exhibition was curated by the curators Lu Wei and Tuan Mu, who invited in total of nine artists, from Taiwan, Malaysia, Czech Republic, Ecuador, Switzerland, and Serbia, to work together and conceive both a narrative and a return to “home” in a cross-cultural context. Through a variety of media, they were invited to outline the form of “home” at a certain moment in time, as well as open up an imaginative dialogue, through the attributes of fluidity and diversity.
展覽日期：2023年5月6日(六)-6月4日(日)
開放時間 ：週二至週日 9:00-17:00（12:00-13:30中午休館）
展覽地點：臺東美術館 (臺東縣臺東市浙江路350號)
座談時間：2023年6月3日(六) 15:00 與談人：潘娉玉
定時導覽：週三 10:30、週末 10:30、15:00
團體導覽預約：20人以上，於導覽時間前兩個禮拜電洽申請（TEL：089-341148）
Date: 06.05.2023(Sat.) – 04.06.2023(Sun.)
Time: Tue.-Sun. 9:00-17:00 (12:00-13:30 closed)
Venue: Taitung Art Museum (No.350, Zhejiang Rd., Taitung City, Taitung County)
Curator’s talk: 03.06.2023(Sat.) with PAN PING-YU
藝術家 Artists: 陳為榛 CHEN WEI-CHEN、陳奕彣 CHEN YI-WEN、洪譽豪 HUNG YU-HAO、JUAN CEVALLOS、MATĚJ MACHÁČEK、黃子儇 NG ZHI-XIEN、施絜晴 SHIH CHIEH-CHING、STIRNIMANN-STOJANOVIC
策展人 Curators: 盧芛 LU WEI、段沐 TUAN MU
指導單位 Advisor: 文化部 Ministry of Culture
主辦單位 Organizer:
臺東縣政府文化處 Cultural Affairs Department, Taitung County
臺東美術館Taitung Art Museum
贊助單位：由瑞士文化基金會上海辦公室支持
Supported by Pro Helvetia Shanghai, Swiss Arts Council
Curators: Lu Wei (right) and Tuan Mu (left), Photo courtesy of Taitung Art Museum / Photography：dulub_studio
策展人提出: 我們的世界正在改變，對於家的理解也隨著變化，疫情期間被迫生活於同一個屋簷下的家庭，或是因為遷移必須搭建起臨時性的居所……等，皆鬆動了原先家的界線。居所可以是移動或是扎根的，也衍生出家庭的依戀、暴力、政治、文化等議題，家的新型態漸漸地被勾勒出來。家園不再是停滯和穩定的，遷移也具有流動性的想像力，而移動不僅發生在人離家時，也涉及家屋並不總是固定著，我們該如何界定家的邊界？離開家後，回返可能意味著什麼？進而如何重新理解人和土地之間的牽絆？
The curators propose: Our world is changing, and along with it, our understanding of what a home means. During the pandemic, some families were forced to live under the same roof, others emigrated and had to set up temporary residences – all of these contributed to loosen the original outline of what a “home” is. A home can be mobile or rooted: it is from “home” that notions of family attachment are derived, but also issues of violence, politics and culture. Through all, little by little, a new form of home is being drawn. Our homeland is no longer stagnant or steady, migration also possesses fluidity in its imagination. Since this movement not only occurs when people leave their home, but also involves a movement in houses themselves, for houses aren’t established once and for all, how should we define the borders of a home? After leaving home, what could “returning” signify ? Furthermore, how can we understand the bond between people and their land in a new way?
展覽以「基地」、「壁癌」、「貼皮」和「組合屋」這四種家屋的特徵作為子題，媒材包含大型的空間裝置、錄像、攝影、繪畫、雕塑等不同面向。
「基地」是建築物的基礎和家園的根，也作為如秘密基地般的活動特定場所。「壁癌」除了回應台灣家居因氣候的潮濕導致的常見現象，也象徵著家庭內難以根除且錯綜複雜的潛在問題。「貼皮」經常用於因經濟的限制，而在家具和裝潢上創造仿真的質感，在展覽中的「貼皮」也涉汲現代化及數位化後對於異質貼皮樣態的重新想像。最後的「組合屋」回應空間組成的輕巧和多樣性，透過重組家的殼和碎片，具有臨時性和庇護的特質，思考其混合特性家屋的指向。
The exhibition takes the characteristics of four kinds of houses as subthemes, consisting of “Foundation”, “wall cancer”, “skin ” and “shelter”. The media includes large-scale space installations, videos, photography, paintings, sculptures and other aspects.
“Foundation” is the architectural foundation and root of the house, It is the secret place designed to hold activities as well. “Wall cancer” can correspond to the common appearance of walls in Taiwanese houses, as a consequence of the humid climate, but it also symbolises the difficult, intricate and underlying problems of a family. “Skin” is related to contact papers, under economical constraints, it is often used as a cost-effective choice under economical constraints, to emulate textures on furniture and decorations. It is also related to the reimagining of “skins” as appearances after the impact of digitalisation in our modern society. The last chapter “Shelter” is about the nimble and diverse nature of space composition.
Photos of the exhibition venue. Photo courtesy of Taitung Art Museum / Photography：dulub_studio
Photos of the exhibition venue. Photo courtesy of Taitung Art Museum / Photography：dulub_studio.
來自瑞士和賽爾維亞的藝術家雙人組STIRNIMANN-STOJANOVIC於駐館期間所製作的現地製作。圖由臺東美術館提供/攝影：嘟嚕影像工作室。
STOJANOVICOn-site production made during the residency from the duo of artists from Switzerland and Serbia STIRNIMANN-STOJANOVICO. Photo courtesy of Taitung Art Museum / Photography：dulub_studio.
展覽資訊 Information
- 第22屆台新藝術獎第二季提名
- 臺東美術館 Taitung Art Museum 網頁 Website / 臉書 Faceboook
- 非池中展訊 ART EMPEROR magazine
- 國藝會 National Culture and Arts Foundation
報導 Articles
- 秘魯商報‘The Real Virus’, una mirada al femi(ni)cidio
- 布拉格表演藝術學院影視學院 Photography Department FAMU
- 瑞士報導 Swiss news
- 中央通訊社報導 Central News Agency
- 風傳媒 The Storm Media
- ETtoday新聞雲 ETtoday.net
Lu Wei 